Книги, похожие на «Avril Tremayne, Getting Naughty»

Carole Mortimer is one of Mills & Boon’s best loved Modern Romance authors. With nearly 200 books published and a career spanning 35 years, Mills & Boon are thrilled to present her complete works available to download for the very first time! Rediscover old favourites – and find new ones! – in this fabulous collection…Charmed by the tycoon…He might be arrogant, but accountant Helen Foster can’t deny that successful businessman Caleb Jones has charisma! But he’s trying to buy out her family home and Helen is determined not to give in to his charms…Caleb has his hands full juggling his business and raising his newly orphaned little nephew. So when firecracker Helen throws a spanner in the works of his latest deal, he doesn’t know whether to sue her or kiss her! Yet the latter is much more tempting…

It’s going to be ever so hard to keep this secret!Book 1 in the new steamy romance duet from Avril Tremayne!David wants Lane and she wants him back.But to a known lothario like him, how will Lane ever measure up in the bedroom? With just one disastrous sexual encounter to her name, Lane knows she needs help in that department, and fast – before David loses interest.So when Adam, her best mate’s brother (with his own impressive reputation), agrees to her bizarre proposal, she’s ready to learn everything he has to offer about how to please a guy in bed. But as she soon discovers, there is no textbook for love…

They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.