Книги, похожие на «Heidi Betts, Fortune's Forbidden Woman»

This fearless playboy has everything to lose…For Franco Tolle, the golden boy of Europe’s jet-set society, life is just a playground – filled with racing speedboats on the azure Mediterranean Sea. When you’re rich and famous money is no object…and to hell with the consequences! But he once took a risk with a price bigger than he was willing to pay…In a rush of red-hot infatuation he put a glittering diamond wedding ring on Lexi Hamilton’s finger, yet within months they were living separate lives. Now Franco’s daredevil life has caught up with him – but he’ll risk it all for the one thing he craves…his estranged wife!

Being a werewolf, Jade has always been under the impression that all Alpha males are nothing more than self-centered, murdering macho-bullies that use pack members as nothing more than stepping stones to become king of the hill. She should know. Her brother, her fiancé, and her kidnapper were all Alphas of the worst kind. Having all the proof she needed that Alphas are bad news, Jade vowed to never trust a werewolf of any kind… much less fall for one. She struggles to keep that vow when she is rescued by a blond haired blue eyed Alpha with the body of a Greek God. No matter how hard she fights, Jade fears this is one Alpha that she will lose to.

An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.What happens to a marriage when a husband is responsible for his son’s accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband’s family, and learns, to her greater understanding, how tragedy is passed on from generation to generation.Strong Irish setting – a superb evocation of rural life in the 1960s.One of the few female Irish novelists who doesn’t write like Maeve Binchy or Edna O’Brien. O’Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships