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The second volume of the autobiography of Doris Lessing, winner of the Nobel Prize for Literature.‘Walking in the Shade’ begins in 1949, as Doris Lessing arrives in London with nothing but her young son and the manuscript of her first novel. With humour and clear-sightedness, she records her battles of the next decade: her involvement with communism, her love affairs, her struggle with poverty, the difficulties she faced as a young single mother.But as well there is the success of that first novel, ‘The Grass Is Singing’, and meetings with personalities and opinion-makers – Kenneth Tynan, John Osborne, Bertrand Russell and others.Describing, too, the genesis of ‘The Golden Notebook’, this book sees Lessing emerge as one of the most exciting, and groundbreaking, novelists of the post-war generation, and one of the twentieth century’s great writers.
They call me Sour. The opposite of sweet. Shanking, stabbing, steaming, robbing, I did it all, rolling with the Man Dem. I did it because I was bad. I did it because I had heart. And the reason I reckon I got away with it for so long? Because I was a girl.SOUR is the true story of a former Brixton gang girl, drug dealer and full-time criminal. A member of the Younger 28s, a notorious gang that terrorised the postcodes around Brixton in the 90s, Sour escapes a troubled family life to immerse herself in the street life of likking and linking. She never leaves her house without a knife. At the age of fifteen, she stabs an innocent man in the street, earning her unrivalled respect and ‘Top-Dog’ status amongst her crew. She believes she is invincible.But the consequences of her actions are soon to catch up with her. Waking for the second time in two weeks in a hospital bed, to the news that she is pregnant, she realises it’s time to turn her life around. Motherhood will be a rude awakening, but it may also be her saving grace.Told with raw emotions and ferocious honesty, this is the real, on-the-record, story of one woman’s descent down the rabbit hole of gangland, and her efforts, as a daughter, mother and girlfriend, to claw herself out.
Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. ‘The Discomfort Zone’ is his intimate memoir of his growth from a ‘small and fundamentally ridiculous person’ through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions. It's also a portrait of a middle class family weathering the turbulence of the 1970s, and a vivid personal history of the decades in which America has taken an angry turn away from its mid-century ideals.The stories told here draw on elements as varied as the effects of Kafka's fiction on Franzen's protracted quest to lose his virginity, the elaborate pranks that he and his friends orchestrated from the roof of his high school, his self-inflicted travails in selling his mother's house after her death, and the web of connections between his all-consuming marriage, the problem of global warming, and the life lessons to be learned in watching birds.These chapters of a Midwestern youth and a New York adulthood are warmed by the same combination of comic scrutiny and unqualified affection that characterize Franzen's fiction, but here the main character is the author himself. Sparkling, daring, arrestingly honest, Franzen narrates the formation of a unique mind and heart in the crucible of an everyday American family.
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