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One night changes everything…It's bad enough that straight-laced Sophie Prescott fell for her boss Clay Everett's charms the night of Royal's masked ball—now she's pregnant with his baby! Too bad the former rodeo star turned billionaire entrepreneur's emotional defences are impenetrable and Sophie doesn't stand a chance of breaking through. So where does that leave her? And with a blackmailer hounding the town's A-list, is their secret the next to be revealed? Or is an even bigger surprise in store—that maybe, just maybe, Sophie has discovered the chink in Clay's armour…?
KILLER COUNTDOWNA flight carrying military service personnel goes down in the Bering Sea, and the rescue team vanishes without a trace. Called in to investigate, Mack Bolan goes undercover in an Alaskan fishing city and hones in on a criminal empire fronted by a ruthless union boss. Bolan targets their prime operations one by one, and goes up against their army of criminals.On a desolate ring of islands, Bolan discovers that an active volcano isn’t the only force about to blow. A Russian mercenary and his group of fanatics are working to destroy America’s network of military bases and kill unsuspecting soldiers. But the Executioner is going to turn up the heat on this frozen hell and obliterate this lethal plot with pure molten payback.
A full-length Hercule Poirot novel, adapted from Agatha Christie’s stage play by Charles OsborneSir Claud Amory’s revolutionary new formula for a powerful explosive is stolen. Locking his house-guests in the library, Sir Claud switches off the lights to allow the thief to replace the formula, no questions asked. When the lights come on, he is dead, and Hercule Poirot and Captain Hastings have to unravel a tangle of family feuds, old flames and suspicious foreigners to find the killer and prevent a global catastrophe.BLACK COFFEE was Agatha Christie’s first playscript, originally performed in 1930 and made into a now rarely-seen film the following year. Combining her typically beguiling plot and sparkling dialogue with his own faithful narrative, Charles Osborne’s novelisation is ‘A worthy addition to the Christie canon’ (The Spectator)
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