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Megan Hart
A childhood accident left Emmaline vulnerable to disturbing fugue states that last minutes but feel like an eternity. The blackouts are unsettling but manageable. . . until she meets Johnny Dellasandro. The painter gained fame in the '70s for his debauched lifestyle and raunchy art films. His naked body achieved cult status, especially in Emm's mind, she's obsessed with the man, who's grown even sexier with age. Today he shuns the spotlight and Emm. . . until she falls into a fugue on his doorstep.In that moment she's transported back thirty years, crashing a party at Johnny's place. The night is a blur of flesh and heat that lingers long after she's woken to the present. It happens again and again, each time-slip a mind-blowing orgy, and soon Emm can't stop, though every episode leaves her weaker.She's scared by what's happening, but she's even more terrified of losing this portal to the Johnny she wants so badly. The one who wants her and takes her every chance he gets.
Heather Graham
They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.
Beth Morrey
Prickly. Stubborn. Terribly lonely. But everyone deserves a second chance… A dazzling debut for 2020 – are you ready to meet Missy Carmichael? Missy Carmichael’s life has become small. Grieving for a family she has lost or lost touch with, she’s haunted by the echoes of her footsteps in her empty home; the sound of the radio in the dark; the tick-tick-tick of the watching clock. Spiky and defensive, Missy knows that her loneliness is all her own fault. She deserves no more than this; not after what she’s done. But a chance encounter in the park with two very different women opens the door to something new. Another life beckons for Missy, if only she can be brave enough to grasp the opportunity. But seventy-nine is too late for a second chance. Isn’t it? ’Bittersweet, tender, thoughtful and uplifting … I loved it’ Nina Stibbe
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