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Исабель Альенде
The author of ‘The House of the Spirits’ returns with a gritty yet transcendent tale of teenage addiction.The narrator and protagonist of MAYA'S NOTEBOOK is a 19 year old girl who grows up in Berkeley, California, and falls into a life of drug addiction and crime. To rescue Maya, and save her from the criminal types pursuing her, Maya's Chilean grandmother sends her to a remote island off the southern coast of Chile. Here she lives among a traditional rural people, the Chilote, who speak an older form of Spanish and have remained largely isolated from the materialism, crime, and fast-paced contemporary life which is our own. The book alternates between the narrative in the US and that on Chiloe, the island, so the two strands of the story unfold for the reader at more or less the same time.This new book is very different from Isabel's previous historical novels: a contemporary setting; an American (of Latino descent) teenage drug addict as the protagonist and narrating voice; a realistic style of writing rather than a magical realistic one (Chiloe exists, and one can visit it). Maya's voice is modeled on that of Isabel's teenage granddaughter, a native of the Bay area (San Francisco, Berkeley).
Diana Palmer
He’ll endanger everything for herWidowed Texas Ranger and single dad John Ruiz hardened his heart years ago. Day after day, he tracks the toughest criminals in the Lone Star state, leaving little room for love. So when John butts heads with beautiful nurse who's helping his young son, he’s floored by how quickly the sparks fly.Ever since her mother's and brother’s brutal murders, Sunny Marlowe has devoted her life to helping save others. Adorable Tonio Ruiz is just another youngster she’s trying to help—or so she tells herself. Little does she know he's John's son. When her life comes under fire, can one mysterious rancher rescue her?
Ji-min Lee
A gripping and heartwrenching novel of damage and survival, grief and unexpected solace, Marilyn and Me is a fascinating – and timely – insight into an extraordinary time and place. Set in 1954, in the aftermath of the Korean war, Marilyn and Me unfolds over the course of four days, when Marilyn Monroe – who was meant to be on honeymoon with Joe DiMaggio – toured Korea, performing for the US soldiers stationed there. Her translator is Alice, a typist on the US base – where she is the only Korean woman to make a living off the American military without being a prostitute (although everyone assumes she is).As these two women begin an unlikely friendship, the story of Alice’s traumatic experience in the war emerges, and when she becomes embroiled in a sting operation involving the entrapment of a Communist spy she is forced to confront the past she has been trying so hard to forget.
Чимаманда Нгози Адичи
A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of ‘Americanah’ and ‘Half of a Yellow Sun’, based on her 2013 TEDx Talk of the same name.An eBook short.What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay – adapted from her much-viewed Tedx talk of the same name – by Chimamanda Ngozi Adichie, the award-winning author of ‘Americanah’ and ‘Half of a Yellow Sun’. With humour and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century – one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviours that marginalise women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences – in the U.S., in her native Nigeria – offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a best-selling novelist, here is one remarkable author’s exploration of what it means to be a woman today – and an of-the-moment rallying cry for why we should all be feminists.
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