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Natalie Anderson
With this ring… Ana couldn’t believe her luck when irresistibly sexy Sebastian Rentoul proposed. Seb made Ana feel less like a gangly, awkward beanpole and more like a stunning, desirable supermodel. Until she realised that being Mrs Rentoul didn’t mean she had her husband’s love… I thee bed!Now Ana’s issued divorce papers and is getting on with her life. But Seb, fascinated more than ever by his reluctant bride, decides to make sure she fully understands how much pleasure she’ll be missing out on…
Пенни Джордан
Brilliant, arrogant and ruthlessly ambitious, Max Crighton is an unfaithful husband and a cold, distant father. When he goes to Jamaica to search for his uncle, it's mostly to escape his latest lover's furious husband.His long-suffering wife, Maddy, finally makes the difficult decision to move on. Then a savage mugging leaves Max near death. As his body struggles to recover, Max realizes that there are still much deeper wounds to be healed – and that living without Maddy is worse than not living at all…
Heather Graham
They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.
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