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Following the success of ‘We Need to Talk About Kevin’ and ‘The Post-Birthday World’, ‘A Perfectly Good Family’ is coming back into print after being unavailable for years.After having escaped for years to London, Corlis McCrea returns to the grand Reconstruction mansion where she grew up in North Carolina, now willed to the three grown children following the death of their parents. All three want the house.Fiscal necessity dictates that two must buy a third out. Just as she was torn as a girl, the sister must choose between her decent younger brother and the renegade eldest—the black sheep who covets his legacy in order to destroy it. The adult siblings re-enact the deep enmities and loyalties of childhood, as each bids for a bigger slice of the pie.
'Tis the season for an investigation! Lady Julia and Nicholas Brisbane return for a Christmas caper at Bellmont Abbey–.After a year of marriage–and numerous adventures–Lady Julia and Brisbane hope for a quiet, intimate Christmas together–until they find themselves at her father's ancestral estate, Bellmont Abbey, with her eccentric family and a menagerie of animals.Nevertheless, Julia looks forward to a lively family gathering–but amongst the celebrations, a mystery stirs. There are missing jewels, new faces at the Abbey, and a prowling ghost that brings back unwelcome memories from a previous holiday–one that turned deadly. Is a new culprit recreating crimes of the past? And will Brisbane let Julia investigate–?Don't miss a single tale in the Lady Julia series–read the book that started it all, Silent in the Grave, available now.
A lyrical, evocative and wonderfully original wartime memoir about life on a farm in the Cotswolds, seen through the eyes of a child.‘Bertie, May and Mrs Fish’ is Xandra Bingley’s account of her childhood on a Cotswold farm, set against the backdrop of World War II and its aftermath. Bingley’s mother is left to farm the land, isolated in the landscape, whilst her husband is away at war. With its eccentric cast of characters, this book captures both the essence of a country childhood and the remarkable courage and resilience displayed by ordinary people during the war. The beauty and sensitivity of Bingley’s observation is artfully balanced by the harshness and grit of her reality.‘In the cowshed my mother ties her hair in a topknot scarf that lies on the feedbin lid. At five-thirty each morning and four o’clock in the afternoons she chases rats off the mangers. She measures cowcake and rolled oats and opens the bottom cowshed door. Thirty-one brown and white Ayrshires and one brindle Jersey tramp into their stalls…’‘Two thousand acres. A mile of valley. Horses cattle sheep pigs poultry. Snow above the lintels of the downstairs windows. Her fingers swelling. Chilblains. Her long white kid gloves wrapped around a leaky pipe in her bedroom. Knotted at the fingers. She has a lot to learn and no one to teach her. Accidents happen.'Bingley tells her tale in a startling voice which captures the universe of a child, the unforgiving landscape and the complicated adult world surrounding her. Her acute observation, and her gift for place, people, sound and touch make this a brilliantly authentic and evocative portrait.
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