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***WINNER OF THE 2018 SPECULATIVE ROMANTIC NOVEL AWARD***‘This is a pure joy’ HeatIf you could turn back time, would you choose a different life?Forty-something Maggie is facing some hard truths. Her only child has flown the nest for university and, without her daughter in the house, she’s realising that her life, and her marriage to Dan, is more than a little stale.When she spots an announcement on Facebook about a uni reunion, she can’t help wondering what happened to Jude Hanson. The same night Dan proposed, Jude asked Maggie to run away with him, and she starts to wonder how different her life might have been if she’d broken Dan’s heart and taken Jude up on his offer.Wondering turns into fantasising, and then one morning fantasising turns into reality. Maggie wakes up and discovers she’s back in 1992 and twenty-one again. Is she brave enough to choose the future she really wants, and if she is, will the grass be any greener on the other side of the fence?Two men. Two very different possible futures. But is there only once chance at happiness?Perfect for fans of One Day,The Versions of Us and Miss You
Back at dinner, somebody said that the goose thinks it’s a dog. No, it doesn’t. It doesn’t think it’s a dog. The goose doesn’t think. The goose just is. And what the goose is is goose. But goose is not goose, Robert thinks. Even the goose isn’t goose.In Good Trouble, the first story collection from Joseph O’Neill, author of Netherland, characters are forced to discover exactly who they are, and who they can never quite be.There’s Rob, who swears he is a dependable member of society, but can’t scrape together a character reference to prove that’s the case. And Jayne, who has no choice but to investigate a strange noise downstairs while her husband lies glued to the bed with fear. A mother tries to find where she fits into her son’s new life of semi-soft rind-washed cheeses, and a poet tries to fathom what makes a poet. Do you even have to write poetry?Packed with O’Neill’s trademark acerbic humour, Good Trouble explores the maddening and secretly political space between thoughts and deeds, between men and women, between goose and not-goose.
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