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For readers of Melissa Bank or Jhumpa Lahiri: witty, seductive stories of expatriate women, their loves and losses.“Interesting women – are we ever going to be free of them? I meet them everywhere these days, now that there is no longer such a thing as an interesting man…” So drawls the narrator of one of Andrea Lee’s jewel-like stories, herself, undeniably, an Interesting Woman. These gleaming, sensual stories bend a wit worthy of Colette’s on a demimonde of expatriates, teenage ‘pocket divas’, girlfriends, wives, mistresses and daughters. Each focuses on a moment of seduction, of self-discovery, where the mocking detachment of the outsider is briefly pulled aside. An American, chained by her Italian husband’s belief in her conventional wholesomeness, surprises him with two costly call girls for his birthday; but her pleasure in her own daring remains wistfully private. A New England beauty has a brief love affair, alternately lyrical and perverse, with a European prince more than twice her age. A woman, having earlier left her husband ‘in a moment of epic distraction’, has his new ex to stay, changing forever their understanding of the man they both married.‘Interesting Women’ teases the reader with ironic glimpses of the charged games of sexual power between men and women, and women with each other. It is that delicious rarity: a summer read of sophisticated intelligence, whose gorgeous images will linger long.

BBC2’s major TV series THE LAST KINGDOM is based on Bernard Cornwell’s bestselling novels on the making of England and the fate of his great hero, Uhtred of Bebbanburg. The Last Kingdom is the first book in the series.Season 2 of the epic TV series premiers this March.Uhtred is an English boy, born into the aristocracy of ninth-century Northumbria. Orphaned at ten, he is captured and adopted by a Dane and taught the Viking ways. Yet Uhtred's fate is indissolubly bound up with Alfred, King of Wessex, who rules over the only English kingdom to survive the Danish assault.The struggle between the English and the Danes and the strife between christianity and paganism is the background to Uhtred's growing up. He is left uncertain of his loyalties but a slaughter in a winter dawn propels him to the English side and he will become a man just as the Danes launch their fiercest attack yet on Alfred's kingdom. Marriage ties him further still to the West Saxon cause but when his wife and child vanish in the chaos of the Danish invasion, Uhtred is driven to face the greatest of the Viking chieftains in a battle beside the sea. There, in the horror of the shield-wall, he discovers his true allegiance.The Last Kingdom, like most of Bernard Cornwell's books, is firmly based on true history. It is the first novel of a series that tells the tale of Alfred the Great and his descendants and of the enemies they faced, Viking warriors like Ivar the Boneless and his feared brother, Ubba. Against their lives Bernard Cornwell has woven a story of divided loyalties, reluctant love and desperate heroism. In Uhtred, he has created one of his most interesting and heroic characters and in The Last Kingdom one of his most powerful and passionate novels.

Assembled here for the first time in book form are the very best occasional writings from the winner of the Nobel Prize for Literature.A selection of the very best of Doris Lessing's essays: articles on writers as diverse as Jane Austen, Muriel Spark, Virginia Woolf, D. H. Lawrence and Mikael Bulgakov sit alongside autobiographical looks at the beliefs that have shaped Lessing’s thinking. There are adoring and adorable pieces on the beloved cats that she has allowed to share her life, and insightful looks at the Africa in which she grew up, and London and England, the place where she made her home.The range of subjects, cultures and periods within these essays is huge, but the collection is utterly consistent in one key regard: Doris Lessing’s clear-eyed vision and clearly expressed prose are present throughout. There is a huge amount of wisdom and entertainment in these pages, shot through with Lessing’s infectiously forthright, zestful and impish spirit.