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You must have some ego to think that every girl who rides in the back of your car wants to kiss you.Fashion designer Tara Devine is the poster girl for behaving badly. It’s a total sham, but she’s always pulled it off… until Michael Cruz saunters into her life, threatening to upturn everything!It’s bad girl vs bad boy – and, if she’s honest, Michael puts her efforts to shame! But one wild night later Tara realises that Michael’s bed is the only place she hasn’t faked it in years and the battle lines are drawn! Because Michael might have got under her clothes, but anywhere near her heart… ? Not likely!
Ranger Eli Weston always does the right thing – even when it means defying orders. Now he’s back in town to help with a memorial in honour of his fallen military buddy.This time, it’s not just about what’s right. It’s about ensuring that some secrets never come to light. A secret that only he and his friend’s ex-girlfriend knows…Clothing designer Shelby Monroe has always felt an illicit something for Eli. But when the two find themselves working together to ensure the media never discovers the truth about the town’s fallen hero, temptation unfurls… hot, wicked, and irresistible.And how far can they bend the rules before they break?
They say a painting can have a life of its own…In the case of Ghosts in the Mind by Henry Sebastian Hubert, that's more than just an expression. This painting is reputed to come to life–and to bring death. The artist was a friend of Lord Byron and Mary Shelley, joining them in Switzerland during 1816, «the year without a summer.» That was when they all explored themes of horror and depravity in their art….Now, almost two hundred years later, the painting appears in New Orleans. Wherever it goes, death seems to follow.Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations.Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art–and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it–before it destroys them.
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