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Psychological thriller with high emotional impact Marta is a fragile and problematic girl, Stefano a man who had to give up the love of his life, Greta is lucid and calculator, accused of murder. Personalities that apparently have only one thing in common: they have witnessed events on the edge of rational understanding. Love, magic and mystery will be opposed to the violence inherent in each of them. Stella, the protagonist, will try to elaborate a traumatic experience that she lived as a child with the help of a psychiatrist. But the result of that elaboration, will destabilize her to the point of bringing out in her the ancient beliefs and legends of Yoruba, of the Cuban village where she was born and lives with her mother and grandmother. Four stories that intersect each other in an extraordinary way, four characters that lead the reader to think that their reality is a mirror that more or less accurately reflects the outside world without realizing, on the contrary, that the mind itself is the main element of creation.
The Poe Killings: A string of homicides is mirroring the author's macabre stories. And Genevieve O'Brien's mother is next. Genevieve knows all about nightmares. She herself survived two months as a psychopath's prisoner. And now this new menace stalks the city.Spooked by the bizarre slayings, she turns to P.I. Joe Connolly, her past rescuer, friend and… hopefully something more, if he would just quit avoiding her. At first Joe isn't even sure there is a case. But the body count rises, and it's clear that a twisted killer is on the loose.Even more unsettling is the guidance he starts receiving from beyond the grave. People he knows to be dead are appearing, offering him clues and leads, and warning of some terrible danger ahead. But can even the spirits stay the hand of a madman bent on murder?
The author of ‘The House of the Spirits’ returns with a gritty yet transcendent tale of teenage addiction.The narrator and protagonist of MAYA'S NOTEBOOK is a 19 year old girl who grows up in Berkeley, California, and falls into a life of drug addiction and crime. To rescue Maya, and save her from the criminal types pursuing her, Maya's Chilean grandmother sends her to a remote island off the southern coast of Chile. Here she lives among a traditional rural people, the Chilote, who speak an older form of Spanish and have remained largely isolated from the materialism, crime, and fast-paced contemporary life which is our own. The book alternates between the narrative in the US and that on Chiloe, the island, so the two strands of the story unfold for the reader at more or less the same time.This new book is very different from Isabel's previous historical novels: a contemporary setting; an American (of Latino descent) teenage drug addict as the protagonist and narrating voice; a realistic style of writing rather than a magical realistic one (Chiloe exists, and one can visit it). Maya's voice is modeled on that of Isabel's teenage granddaughter, a native of the Bay area (San Francisco, Berkeley).
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