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Roger Law
The Puppet Master is back with the inside story.Written by one half of the Fluck and Law partnership, which produced Spitting Image for many years, this book will catch up with creative spirit Roger Law to investigate life at sixty through the eyes of the puppet master.Roger Law, the evil genius behind the mocking, caricature puppets of Spitting Image – which lampooned Margaret Thatcher, ridiculed the Royal Family and gave birth to 'The Chicken Song' – unburdens his tormented soul and tells the awful truth of how it all came about.The award-winning series ran for eight years, with Law masterminding the corruption and undermining of an entire generation's respect for authority and institutions, and giving voice to such comedic reprobates as Harry Enfield, Pamela Stephenson and Rory Bremner. He subjected the British public to political outrages – to a reception of delight and indignation in equal measure – every Sunday evening from 1984 to 1992.When the satire bubble finally burst, Law found himself too young for retirement, too old to be retrained and without any discernable talent for domesticity or addressing a golf ball. In short, very thoroughly rinsed up.Confronted with 'one day off after another as far as the eye can see,' Law did what some people thought was the only decent thing he could do, possibly had ever done – he transported himself to Australia.STILL SPITTING AT SIXTY is Roger Law's account of his life in retirement down-under, filled with all the lunacy and flare that one would expect from the co-producer and creator of Spitting Image.
Джонатан Франзен
Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. ‘The Discomfort Zone’ is his intimate memoir of his growth from a ‘small and fundamentally ridiculous person’ through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions. It's also a portrait of a middle class family weathering the turbulence of the 1970s, and a vivid personal history of the decades in which America has taken an angry turn away from its mid-century ideals.The stories told here draw on elements as varied as the effects of Kafka's fiction on Franzen's protracted quest to lose his virginity, the elaborate pranks that he and his friends orchestrated from the roof of his high school, his self-inflicted travails in selling his mother's house after her death, and the web of connections between his all-consuming marriage, the problem of global warming, and the life lessons to be learned in watching birds.These chapters of a Midwestern youth and a New York adulthood are warmed by the same combination of comic scrutiny and unqualified affection that characterize Franzen's fiction, but here the main character is the author himself. Sparkling, daring, arrestingly honest, Franzen narrates the formation of a unique mind and heart in the crucible of an everyday American family.
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