Книги, похожие на «Susan Fletcher, Corrag»

The first volume of the autobiography of Doris Lessing, author of ‘The Grass is Singing’ and ‘The Golden Notebook’, and Winner of the Nobel Prize for Literature 2007.Winner of the James Tait Black Prize 1994.The first volume of Doris Lessing’s autobiography begins with her childhood in Africa and ends on her arrival in London in 1949 with the typescript of her first novel in her suitcase. it charts the evolution first of her consciousness, then of her sexuality and finally of her political awareness with an almost overwhelming immediacy, and is as distinctive and challenging as anything she has ever written. It is already recognised as one of the great autobiographies of the twentieth century.

The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.

Four novellas by Doris Lessing, winner of the Nobel Prize for Literature, that once again show her to be unequalled in her ability to capture the truth of the human condition.The title story, ‘The Grandmothers’, is an astonishing tour de force, a shockingly intimate portrait of an unconventional extended family and the lengths to which they will go to find happiness and love. Written with a keen cinematic eye, the story is a ruthless dissection of the veneer of middle-class morality and convention.‘Victoria and the Staveneys’, takes us through 20 years of the life of a young underprivileged black girl in London. A chance meeting introduces her to the Staveneys – a liberal white middle-class family – and, seduced, she falls pregnant by one of the sons. As her daughter grows up, Victoria feels her parental control diminishing as the attractions of the Staveneys’ world exert themselves. An honest and often uncomfortable look at race relations in London over the past few decades, Lessing reaffirms her brilliance at demonstrating the effect of society on the individual.With these novellas, and ‘The Reason for It’ and ‘A Love Child’, Lessing proves once again that she is one of our most valuable and insightful living authors.