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It was worse than winning the lottery—much worse. This bequest might mean more money, but the strings attached had Pandora McVie tied up in knots. Respecting Uncle Jolley's last wishes meant spending time isolated in the Catskills with Michael Donahue, her least favorite—though best looking–distant relative and co-beneficiary.Living with a carrot-topped termagant wasn't Michael's idea of a good time, either, but he realized they were stuck. Jolley was a matchmaker to the end—and apparently for some time beyond. What could happen in six months? Michael answered that one himself: almost anything.Nora Roberts is a publishing phenomenon; this New York Times bestselling author of over 200 novels has more than 450 million of her books in print worldwide.Praise for Nora Roberts'The most successful novelist on Planet Earth' – Washington Post‘A storyteller of immeasurable diversity and talent’ – Publisher’s Weekly
From Doris Lessing, winner of the Nobel Prize for Literature, the sequel to one of her most celebrated novels, ‘The Fifth Child’.‘The Fifth Child’, Doris Lessing’s 1988 novel, made a powerful impact on publication. Its account of idyllic marital and parental bliss shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading.That child, Ben, is the central character of this sequel, which picks up the fable at the end of his childhood and takes our primal, misunderstood, maladjusted teenager out into the world. He meets mostly with mockery, fear and incomprehension, but with just enough kindness and openness to keep him afloat as his adventures take him from London to the south of France and on to South America in his restless quest for community, companionship and peace.Lessing employs a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehension swirls around at the edge, while, occasionally, a strong character steps forward to try to set a good example.
She revealed his secrets to the world. Now he must be her saviour… When writer Morgan uncovers old diaries in her attic, she is swept into the seductive world of Dante, a man who believed himself a vampire, providing the perfect inspiration for her stories. Now Morgan is wasting away. At night she dreams of Dante, a sensual fantasy so real she can feel her life’s blood draining from her. Almost as if he were there… And he is.But the vampire’s nightly visits are about more than just fulfilling his own desires. He is the only one who can protect Morgan from her destiny. But to save her, he must trust her. With his life. With his love. With the promise of immortality.
The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.
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