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The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.
In bed with the best man!Once Ava Halliburton shared a tender night of passion with Caleb Gilchrist. Next day she hopped on a plane to Boston – not to return for ten years… But now she’s home for her brother’s wedding. And Caleb’s the best man: richer than ever, sexier than ever, with a reputation for fast cars and faster women.Caleb still wants her. But she walked out on him all those years ago and he’s no gentleman. One night, and then he’ll be the one to walk away…
When a corpse is found with its heart removed, the media is quick to resurrect the name of one of Scotland’s most infamous murderers. But when the chief suspect claims he is being framed, it’s up to Brodie McLennan to find who is really responsible – and fast…Evil has arrived in Edinburgh. When a man's corpse is found with its heart expertly removed, the gruesome keepsake prompts police and the media to resurrect the name of one of the country's most infamous killers – Romeo.This twisted modus operandi is identical to a twenty-year-old case, that of Brendan Fallon and Renee Richardson; two ten-year olds found guilty of kidnap, murder and mutilation. But having served their time, the killers were released under new identities and the case was put to rest. Until now…Are the Romeo killings beginning again or is a copycat on the loose? The authorities hope so – otherwise the evidence points to a cataclysmic error in judgment two decades before.Unorthodox defence lawyer, Brodie McLennan, is drawn into the investigation when she is hired to defend wealthy Dr Graham Marshall, who claims to be being blackmailed and wrongly identified as the Romeo killer. Who would be trying to frame him, and what is their motive?Brodie soon becomes trapped in a case where dangerous secrets from the past mean that nothing, and nobody, can be taken at face value. Ultimately, she must risk everything she has to defend a client who may be a victim . . . Or a monster.
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