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Mourn me but briefly. Then find your destiny, Lara, my love, my life. Now let me go…With those words, the spirit of Magnus Hauk, Dominus of Terah, departs his body–leaving the fate of his nation to his wife, the half faerie Lara. While Lara's son Prince Taj is well loved by the people of Terah, he is too young to rule, so Lara must obey Magnus's dying command and govern in his stead.Yet some in Terah still believe that a female must never wear the crown…and Lara and her children will face old enemies who are not finished with their schemes for revenge. But one hope remains–Lara has a powerful ally in Prince Kaliq of the Shadows, though never was there a more seductive friend or foe….
EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.
On the outside, it is the boss who is ruthless and the female employee who is beautiful, fascinating and a bit distracted, a bit resigned to what life still has to offer. Deep down inside, instead, they hide two hurricanes – or rather, two big hearts always in search of something different… perhaps deep down – in search of themselves. Milena is the young assistant to the feared Richard Bredson, one of the top tycoons in Italy. There blossoms between them an office romance, an extraordinary attraction at the edge of any human reason, which devours them until they are left stripped of any prejudice and at the same time helps them to rediscover their self-esteem and courage and to finally rediscover themselves like they would never have believed possible. Through this fantastic, marvellous, sudden Love, Richard and Milena simply rediscover themselves. To no longer lose themselves. Because love is also a voyage… marvellous, when made with the right person.“His sweet mouth searches for mine, I moan in surprise, I cling to him tightly opening myself up like a flower, now I’m ready to give him all the purity and sweetness that I have kept for years in search of the right person. I have never kissed anyone under the Autumn rain…try it, it’s very beautiful. – Mr. Bredson, the cold one – I whisper with my tongue glued to his, I have discovered that it is my new favourite taste, I could spend hours just enjoying it. Oh, my God, so much emotion! If it wasn’t for the rain that is refreshing my body and soul I would burst into thousands of pieces with joy, bathing the universe with all the colours of love… Richard kisses me and kisses me as if he can’t stop… our mouths that have only recently become acquainted take up again the dance interrupted by my absurd fears. We bite each other with our teeth and with our lips, we lick the saliva and drops of slightly salty water that flood our faces, we kiss each other on our cheeks, our eyelids, our foreheads, our chins, our tongues and our teeth.We are one, one being of light, desire, love and above all – infinite, unexpressed need for love…”
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