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Jonathan Franzen's ‘The Corrections’ was the best-loved and most written-about novel of 2001. Nearly every in-depth review of it discussed what became known as 'The Harper's Essay,' Franzen's controversial 1996 look at the fate of the novel. This essay is reprinted for the first time in ‘How to be Alone’, alongside the personal essays and painstaking, often funny reportage that earned Franzen a wide readership before the success of ‘The Corrections’. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern, imperial America. Recent pieces include a moving essay on his father's struggle with Alzheimer's disease and a rueful account of Franzen's brief tenure as an Oprah Winfrey author.As a collection, these essays record what Franzen calls 'a movement away from an angry and frightened isolation toward an acceptance – even a celebration – of being a reader and a writer.' At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.

A heartwarming collection of stories from a woman who brings together disadvantaged children and abandoned racehorses, with remarkable results.Thirteen-year-old Sophie hadn’t uttered a word to anyone for over two years when she got out of her parents car at a remote farm in Devon. Her parents were beside themselves with worry, and at the end of their tether, but try as they might, nothing seemed to make a difference. They’d heard about a place called Greatwood through friends – where owners Helen and Michael Yeadon looked after retired racehorses – and decided to take Sophie along for a visit.Helen asked Sophie to help her change the dressings on the infected cuts on the legs of Darcy Day, one of their more troubled horses, and it was instantly clear that these two had some kind of special connection. Darcy Day would normally back away from people, but this time she lowered her head and stepped forward, to let Sophie stroke her nose. It was the start of an incredible relationship that would transform both horse and child, and it gave Michael and Helen an idea.They registered as a charity, moved to bigger premises, and began inviting children with a wide range of learning disabilities to volunteer to help with the animals. The results were amazing – traumatised horses and anxious or disturbed children bonded with each other, and every week little miracles were happening before their eyes.Boys with diagnoses such as Asperger’s Syndrome or Attention-Deficit Hyperactivity Disorder, or those who’d been excluded from school for unruly behaviour, flourished through the discipline of working on the farm. Girls made timid and anxious by abusive backgrounds or school bullies came out of the shells. In this book are twenty of the most incredible tales of children who were given back their futures by the unique and extraordinary institution of Greatwood.