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The mystery, the adventure and the probable disappearance of St characterize the various elemente of the narration This novel, where the visionary-metaphysical element is skilfully intertwined with the everyday, has as its main theme the disappearance of a protagonist – truth or illusion? – and it emerges, at the limit of the incredible, from an on the road and mental adventure: a journey that Domenico and Gabriella, free and curious spirits, backpackers and a great desire for nature, have made along a trekking route of about 900 Km. Destination: the Way itself and then the Finisterre Ocean, passing through Santiago de Compostela. With the scorching sun, the whipping wind and the heavy rain, the two, who have decided to live their lives to the end without being stopped by anything, advance trampling on grass and stones, arid and muddy terrain, asphalted roads that cross villages and city. They live in the most disparate situations and meet people of all kinds, maturing together, in continuous confrontation, step by step. Visions, fantasies: memories of other lives?
The first known mystery novel written by an African-American, originally published in 1932.When the body of N’Gana Frimbo, the African conjure-man, is discovered in his consultation room, Perry Dart, one of Harlem’s ten black police detectives, is called in to investigate. Together with Dr Archer, a physician from across the street, Dart is determined to solve the baffling mystery, helped and hindered by Bubber Brown and Jinx Jenkins, local boys keen to clear themselves of suspicion of murder and undertake their own investigations.The Conjure-Man Dies (1932) was the very first detective novel written by an African-American. A distinguished doctor and accomplished musician and dramatist, Rudolph Fisher was one of the principal writers of the Harlem Renaissance, but died in 1934 aged only 37. With a complex and gripping plot, vividly drawn characters and unique cultural elements, Fisher’s witty novel is a genuine crime classic from one of the most exciting eras in the history of black fiction.THIS DETECTIVE STORY CLUB CLASSIC includes an archival introduction by New York crime writer Stanley Ellin, plus Fisher’s last published story, ‘John Archer’s Nose’, in which Perry Dart and Dr Archer return to solve the case of a young man murdered in his own bed.
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