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This collection brings together three of Nobel Prize-winner Doris Lessing’s most acclaimed novels.Her first novel, The Grass is Singing, is the story of Mary, a new wife, lonely and trapped in the African bush, until she turns to Moses, the black cook, for kindness and understanding.A landmark of twentieth-century literature, The Golden Notebok is a powerful account of Anna Wulf, a woman searching for her personal and political identity, recording her emotional and creative lives in notebooks of different colours.And in The Good Terrorist, a group of naive revolutionaries sets out to change the world, only to find themselves involved in a protest movement of escalating violence.
Do you secretly dream of whirling across the dance floor in a dress more glamour personified than Joan Collins circa 1955? Are you still waiting for the love of your life to materialise (your boyfriend just doesn’t know it yet)? Do you love Strictly Come Dancing?Ava Dunne is trapped in a floundering relationship with Salisbury’s most unromantic boyfriend. Her domineering sister Lauren’s plans for a grand wedding are threatening to take over her existence, and thoughts of the hideous dress Lauren’s chosen for her to wear on the big day offer little distraction from monotonous village life.Until she joins a local dance class. OK, so it’s not exactly Strictly, her number one favourite TV show, but it’s a start. But then a handsome stranger from the neighbouring village joins the class and Ava’s life gets a whole lot more exciting. Will she finally get the Big Romance that has so far eluded her with this charming dance partner, or should she just count her blessings and settle with pragmatic Rob?As the latest series of Strictly Come Dancing draws closer, her boyfriend becomes ever more tedious and the dance classes become an increasingly alluring diversion, Ava must make a decision that will change the direction of her life forever.Prepare to be whisked off your feet with the second long-awaited Strictly Come Dancing novel.
The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.
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