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Told with intimacy and ferocity and set in the passionate and crumbling Spanish Quarter of Naples, comes a poignant tale of first love – of a place, of a person – where languages and cultures collide while dreams soar and crash in spectacular ways. ‘Don’t forgive me, don’t answer, don’t be sad. Be happy, have babies, make mixed tapes, take pictures … it’s how I always love to think of you. And now and then, if you can and if you want to, remember me. ’ Several years after leaving Naples, Heddi receives an email from Pietro, her first love, admitting that he was wrong. Immediately, Heddi is transported back to her college days in that heartbreakingly beautiful city built on ruins and set against the cliffs of a sleeping volcano. Just the thought of the Spanish Quarter, the crumbling apartment she shared with friends and where she first met Pietro, still spark the pain of longing and a desire to belong. For Heddi’s tribe of university friends, Naples was the first taste of freedom and an escape from their familial obligations. But for Heddi it is the place where she searched for the roots she never had, while Pietro tried to escape his. For all of them Naples is a place that they’ll never forget: the setting of their unrestrained youth.

Now seen as one of the great English comic novels, Tristram Shandy caused a stir on publication in polite 18th-century English society. The novel broke with conventions of form and structure, foreshadowing Postmodern authors by 200 years, and scandalized with bawdy descriptions and rambling prose. Hugely influenced by Francis Bacon, Rabelais, and Jonathan Swift, clergyman Lawrence Sterne manages to both eloquently champion the literary and scientific views of the day, and to satirize those same idols in the next outrageous breath.The questionable ‘hero’ and narrator of the novel, the eponymous Tristram Shandy, attempts to tell the reader his life story, but as he digresses ever further on everything from sexual practices, the importance of a name, obstetrics, linguistics, weaponry, and philosophy, the reader quickly learns that the path won’t be a linear one, and gets wrapped up in the author’s exuberance and wit – as Tristram’s ill-fated conception and birth don’t even enter the story until Volume III. Encompassing a humorously memorable cast of misfits, including his eccentric father Walter, obsessive Uncle Toby, accident-prone mother Susannah, pastor Yorick, and a gaggle of other characters, Tristram Shandy’s restless energy and modern-seeming wit explain why Nietzsche, Karl Marx, Schopenhauer, Michael Winterbottom, and Michael Nyman count among its numerous fans.