Книги, похожие на «Hugo Münsterberg, Arts of Japan»

The true story of Gerard Mercator, the greatest map-maker of all time, who was condemned to death as a heretic.‘Geographie and Chronologie I may call the Sunne and the Moone, the right eye and the left, of all history.’In ‘The World of Gerard Mercator’, Andrew Taylor chronicles both the story of a great astronomer and mathematician, who was condemned to death as a heretic, and the history of that most fascinating conjunction of science and art: the drawing of maps. Gerard Mercator was born in Flanders in 1512. In addition to creating accurate globes of the earth and the stars, he was the first person to use latitude and longitude for navigation and he created the most-used map of all time: Mercator’s Projection is still the standard view of the world, the one we all envisage when we think of a map of the globe. Simply finding the best solution to the impossible challenge of reproducing the spherical world on a flat sheet of paper was a considerable achievement in itself – something geographers and map-makers had been trying to do for centuries, but Mercator also created the map of the world that would form the basis of the modern age, an image of the continents for the common man.Until Mercator’s Projection, maps offered a pictorial encyclopaedia to an illiterate world, and that world stretched far beyond the knowledge and travels of most mapmakers. It is this evolution of mapmaking from art to science that forms the backdrop to the story of Mercator, from the days of Herodotus and Strabo when fabulous creatures were supposed to inhabit the fringes of the world to the great mappae mundi of Hereford and Ebsdorf. The Greek geographer Pytheas claimed to have visited the far north of Britain to establish the limits of the habitable world; but further north, he claimed that the earth, air and sea coalesced into a jellyfish-like gelatinous suspension that made life impossible.‘The World of Gerard Mercator’ is a brilliantly readable and absolutely fascinating history for the general reader, describing how our worldview came into being.

IN THE MIDDLE AGES, a remarkable tomb was carved to cover the bones of an English hero. For centuries, tales spread about dragons, giants and devils. How and why this happened is the subject of this book.Do you wonder where dragons once lurked and where the local fairies baked their loaves? Or where wolves were trapped and suicides buried? Did people in the past really believe the marvellous stories they told and can those beliefs and those stories still teach us something about how to live in the world today?These questions lie at the heart of Christopher Hadley’s Hollow Places as it searches through the centuries for the truth behind the legend of Piers Shonks, a giant from a village in Hertfordshire, who slew a dragon that once had its lair under ancient yew in a field called Great Pepsells.Hadley’s quest takes us on a journey into the margins of history: to the margins of the Bayeux Tapestry where strange creatures gather, of ancient woodland where hollow trees hide secrets, of 18th century manuscripts where antiquaries scribbled clues to the identity of folk heroes.Hollow Places takes us back shivering to a church in Georgian England, to stand atop its tower triangulating the Elizabethan countryside, and to confront the zealous Mr Dowsing and his thugs looting the brasses and smashing the masonry during the Civil War. It asks why Churchwarden Morris could not sleep at night, and how long bones last in a crypt, and where a medieval stonemason found his inspiration.Hollow Places rescues a vanished world and wrestles with superstition, with what people really believed; with what that tells us about them and how very much we are still alike– dragons or nay.The story of Piers Shonks is an obscure tale, but it has endured: the survivor of an 800-year battle between storytellers and those who would mock or silence them. Shonks’ story stands for all those thousands of seemingly forgotten tales that used to belong to every village. It is an adventure into the past by a talented and original new writer and a meditation on memory and belief that underlines the importance and the power of the folk legends we used to tell and why they still matter.