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Helen Forrester
The fourth and final part of Helen Forrester’s bestselling autobiography concludes the moving story of her early poverty-stricken life Liverpool.In 1940 Helen, now twenty, is working long hours at a welfare centre in Bootle, five miles from home. Her wages are pitifully low and her mother claims the whole of them for housekeeping but she is still thrilled to be working and gaining some independence. The Second World War is affecting every part of the country and Hitler’s Luftwaffe nightly seek to wreck havoc on her home city of Liverpool.Then, tragedy is brought shockingly close to home and Helen is left reeling when she receives some terrible news. But there is no let-up in the bombing and the Germans seem determined to bring the country to its knees. When a move brings more trouble for Helen, she is determined that she will face it, as ever, with courage and determination.
Джонатан Франзен
Jonathan Franzen's ‘The Corrections’ was the best-loved and most written-about novel of 2001. Nearly every in-depth review of it discussed what became known as 'The Harper's Essay,' Franzen's controversial 1996 look at the fate of the novel. This essay is reprinted for the first time in ‘How to be Alone’, alongside the personal essays and painstaking, often funny reportage that earned Franzen a wide readership before the success of ‘The Corrections’. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern, imperial America. Recent pieces include a moving essay on his father's struggle with Alzheimer's disease and a rueful account of Franzen's brief tenure as an Oprah Winfrey author.As a collection, these essays record what Franzen calls 'a movement away from an angry and frightened isolation toward an acceptance – even a celebration – of being a reader and a writer.' At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.
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