Книги, похожие на «Louise Carpenter, An Unlikely Countess: Lily Budge and the 13th Earl of Galloway»

‘As gripping as any spy thriller, Hastings’s achievement is especially impressive, for he has produced the best single volume yet written on the subject’ Sunday Times‘Authoritative, exciting and notably well written’ Daily Telegraph‘A serious work of rigourous and comprehensive history … royally entertaining and readable’ Mail on SundayIn ‘The Secret War’, Max Hastings examines the espionage and intelligence machines of all sides in World War II, and the impact of spies, code-breakers and partisan operations on events. Written on a global scale, the book brings together accounts from British, American, German, Russian and Japanese sources to tell the story of a secret war waged unceasingly by men and women often far from the battlefields but whose actions profoundly influenced the outcome.Returning to the Second World War for the first time since his best-selling ‘All Hell Let Loose’, Hastings weaves into a ‘big picture’ framework, the human stories of spies and intelligence officers who served their respective masters. Told through a series of snapshots of key moments, the book looks closely at Soviet espionage operations which dwarfed those of every other belligerent in scale, as well as the code-breaking operation at Bletchley Park – the greatest intelligence achievement of the conflict – with many more surprising and unfamiliar tales of treachery, deception, betrayal and incompetence by spies of Axis, Allied or indeterminate loyalty.

In one corner, a godless young warrior, Voltaire’s heralded ‘philosopher-king’, the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of ‘outdated’ music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age.Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged ‘old Bach’ to a musical duel, asking him to improvise a six-part fugue based on an impossibly intricate theme (possibly devised for him by Bach's own son).Bach left the court fuming, but in a fever of composition, he used the coded, alchemical language of counterpoint to write ‘A Musical Offering’ in response. A stirring declaration of faith, it represented ‘as stark a rebuke of his beliefs and world view as an absolute monarch has ever received,’ Gaines writes. It is also one of the great works of art in the history of music.Set at the tipping point between the ancient and the modern world, the triumphant story of Bach's victory expands to take in the tumult of the eighteenth century: the legacy of the Reformation, wars and conquest, the birth of the Enlightenment. Brimming with originality and wit, ‘Evening in the Palace of Reason’ is history of the best kind – intimate in scale and broad in its vision.