Книги, похожие на «Molly Green, An Orphan in the Snow»

New York Times bestselling author Diana Palmer returns to Wyoming with a new romance featuring one of the ruggedly handsome Kirk brothers. Ranch owner Cane Kirk lost more than his arm in the war. He lost his way, battling his inner demons by challenging any cowboy unfortunate enough to get in his way. No one seems to be able to cool him down, except beautiful Bodie Mays.Bodie doesn’t mind saving Cane from himself, even if he is a little too tempting for her own peace of mind. But soon Bodie’s the one who finds herself in need of rescuing—only, she’s afraid to tell Cane what’s really going on. How can she trust someone as unpredictable as this fierce cowboy?When her silence only ends up getting her into even deeper hot water, it’s up to Cane to save the day. And if he does it right, he won’t be riding off into the sunset alone.

In the space of a few hours, thirty-year-old Ginger Petrocelli had gone from bride-to-be to bride-who-never-was. So here she sat, alone in her cramped apartment, wedding crinolines askew, drowning her sorrows in a hundred-dollar bottle of Veuve Cliquot, when her doorbell rang. And her trip to hell in a handbasket was about to escalate.At the door: Nick, Ginger's «first.» Only, he's a police officer now, and he wants to find out what she knows about her M.I.A. congressman fiancé. When was the last time she'd seen him? She'd better not leave town….And the spiral continues: her cozy little sublet (really, she liked having her shower in the kitchen) is about to be yanked away, and the prestigious little design firm where she works is about to go belly-up. So what's a girl to do?Her answer, born of desperation: move in with her crazy, widowed mother–who Ginger claims sucks the life force out of every creature within one city block of her–and her grandmother, who spends much of her day engaged in heated arguments with her dead husband.Well, it's a plan. But bizarrely, as the summer progresses, her eccentric but lovable relatives give her the courage to make choices based on what she wants, not what she wants to avoid.

Nobel Prize for Literature winner Doris Lessing tackles the 1960s and their legacy head-on in one of her most involving, personal, political novels.It’s the morning of the 1960s and it’s suppertime at Freedom Hall, the most welcoming household in north London. Frances Lennox stands at her stove, preparing another feast before ladling it out to the youthful crew assembled around her hospitable table – here are her two sons, smarting at their upbringing but beginning to absorb their mother’s lessons. Around them are ranged their schoolfriends and girlfriends and ex-friends and new friends fresh off the street. The feast begins. Wine and talk flow. Everything is being changed and being challenged.But what is being tolerated? And where will it end? Over there in the corner is Frances’s ex-husband, Comrade Johnny, who delivers his rousing tirades, then laps up the adolescent adulation before disappearing into the night to evade the clutches of his responsibilities. Upstairs sits Johnny’s exiled mother, funding all, but finding she can embrace only one lost little girl – Sylvia, who has to travel to Africa, to newly independent Zimlia, to find out who she is and what she wants. And what of the Africans, what will they tolerate?These are the people dreaming the 1960s into being, and the people who, on the morning after all that dreaming, woke to find they were the ones who had to clear up and make good.