Книги, похожие на «Elizabeth Elgin, All the Sweet Promises»

A stirring Second World War tale of love and loss set in Yorkshire from the author of The Linden Walk and A Scent of Lavender.Set during World War 2, TURN LEFT AT THE DAFFODILS tells two love stories – those of Nan and Carrie.Nan meets Charles, a gauche, young airman at a dance. Despite his stammer and inability to dance, Nan is captivated by her first romance, and takes him under her wing. When Nan learns that Charles is from the landed gentry, she refuses his offer of marriage fearing that their difference in social status will ruin their chances of happiness. But it is the war itself which seems to end any hope for them when Charles is reported missing in action, believed killed, in the skies over Germany.Carrie starts a passionate affair following a chance encounter with Todd Coverdale on a railway platform in Lincoln. When Carrie finds herself alone and pregnant after Todd disappears without explanation, her only option is to leave the ATS and move to Daffy Cottage, the home Todd inherited from his Aunt.Will either woman find happiness after being left alone at a time of war, loneliness and difficult decisions?

The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.