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Karen Van Der Zee
Should she give him the photo or throw it out and pretend she'd never found it… ? Livia had bought the house – lock, stock and barrel. Unknowingly, she'd also bought Clint Bracamonte's past… . He'd returned to find Livia the new owner of his family home. As Livia cleared long-unopened drawers and sorted through long-forgotten boxes, she delighted in each new discovery about the man she'd quickly come to love.And then Livia had come across the photograph – which seemed to change everything… .
Lisa Brackman
All she wanted was to get away. But now, she can’t escape… A pulse-pounding thriller that dives into the dark side of Mexico.A holiday in Mexico is just what Michelle Mason needs after her husband dies, leaving behind a scandal and a pile of debt.On the beach, she meets a handsome American ex-pat – the margaritas have kicked in and she decides: why not? But their date ends horribly when Daniel is attacked by intruders in her hotel room.When Daniel disappears, Michelle is drawn into Mexico's dangerous underworld of corrupt policemen and powerful drug lords. What was a holiday romance suddenly becomes a matter of life and death. Can she trust Daniel, or is he responsible for the danger she is in?Michelle has nowhere to run and no one to trust. Now, she needs to dig deep to escape her holiday nightmare alive…
Gay Longworth
Jessie Driver returns in the second of this fresh, streetwise London-based series from ‘the new Mistress of Thrillers’ Sunday ExpressThe decaying Marshall Street Baths in the heart of Soho are a den for drug-users and the homeless – the perfect hang-out for a teenage runaway. But when DI Jessie Driver goes there in search of a missing girl, she finds something quite different: the mummified body of a man, buried in the rat-infested basement. Who was he? And how does this murder relate to the tragic drowning of a young boy years earlier?Jessie's investigation takes her on a journey through the past – the kidnapping of a little girl; the descent into madness of a bereaved father – but the dangers she'll face are very much in the present.
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