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AN OBSERVER BOOK OF THE YEARA droll and dazzling compendium of observations, stories, lists, and brief essays about babies.‘Beguiling … A wunderkabinett of baby-related curios … A peculiar book, and astonishing in its effect.’ Boston GlobeOne August day, a baby was born, or as it seemed to Rivka Galchen, a puma moved into her apartment. Her arrival felt supernatural, she seemed to come from another world. And suddenly, the world seemed ludicrously, suspiciously, adverbially sodden with meaning.But Galchen didn’t want to write about the puma. She had never been interested in babies, or in mothers before. Now everything seemed directly related to them and she specifically wanted to write about other things because it might mean she was really, covertly, learning something about babies, or about being near babies.The result is Little Labours, a slanted enchanted miscellany. Galchen writes about babies in art (with wrongly shaped head) and babies in literature (rarer than dogs or abortions, often monstrous); about the effort of taking a passport photo for a baby not yet able to hold up her head and the frightening prevalence of orange as today’s chic colour for baby gifts; about Frankenstein as a sort of baby and a baby as a sort of Godzillas. In doing so she opens up an odd and tender world of wonder.

The Argentine folk singer and social activist, Mercedes Sosa, was a world-class performer, whose influence went far beyond the borders of music. Blacklisted as being one the most dangerous people to the regime in Argentina in the 1970s, she became the underground reference point for the poor and oppressed, and an icon of democracy who fought South America’s dictators with her voice. Nicknamed, “The Voice of the Voiceless,” Sosa emerged as a legend and a much-loved mother of Latin America. With her powerful voice and compelling stage presence, the Argentine folk singer, Mercedes Sosa, was a world-class performer, whose influence went far beyond the borders of music. Blacklisted as being one the most dangerous people to the regime in Argentina in the 1970s, she became the underground reference point for the poor and oppressed, and an icon of democracy who fought South America’s dictators with her voice. Alongside her lifelong career, which earned her four Grammy Awards, Sosa also worked as Goodwill Ambassador for the children in Latin America and in the Caribbean, and was granted the prestigious position of Vice President of the Earth Council. Nicknamed, “The Voice of the Voiceless,” Sosa emerged as a legend and a much-loved mother of Latin America. Although Mercedes Sosa was one of the most recognized artists in international music, and collaborated with musicians ranging from Luciano Pavarotti, Sting and Joan Baez, she remained an unsung hero outside of Latin America. However, now ten years after her death, Sosa’s legacy continues to shine. Her example of integrity and solidarity lives on and make her a role model who points out the path to a more emphatic and compassionate world. But how did a girl raised in a poor Indian working class family gain such influence? Mercedes Sosa – More than a Song explores the secret behind Sosa’s remarkable impact and reveals how her upbringing, political circumstances and personal tragedies formed her life and her career. Now, ten years after her death, Sosa’s legacy continues to shine. Her example of integrity and solidarity lives on and make her a role model who points out the path to a more emphatic and compassionate world. Her story calls out for the best in all of us. You are about to meet a woman who will inspire you by her courage and authenticity.