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An essential and definitive collection of the Nobel Prize for Literature winner’s finest essays, reviews, reminiscences and interviews from the 1950s, 1960s and 1970s.‘The novelist talks as an individual to individuals, in a small personal voice. In an age of committee art, public art, people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and, with confidence because of the knowledge of being needed, the warmth and humanity, and love of people which is essential for a great age of literature.’In this collection of her non-fiction, Lessing’s own life and work are the subject of a number of pieces, as are fellow writers such as Isak Dinesen and Kurt Vonnegut. There are essays on Malcolm X and Sufism, discussions of the responsibility of the artist, thoughts on her exile from Southern Rhodesia, and a fascinating memoir of her fraught relationship with her mother.Lit throughout by Doris Lessing's desire for truth-telling, ‘A Small Personal Voice’ is both an important collection of writings by and a self-portrait of one of the most significant writers of the past century.

The author of ‘The House of the Spirits’ returns with a gritty yet transcendent tale of teenage addiction.The narrator and protagonist of MAYA'S NOTEBOOK is a 19 year old girl who grows up in Berkeley, California, and falls into a life of drug addiction and crime. To rescue Maya, and save her from the criminal types pursuing her, Maya's Chilean grandmother sends her to a remote island off the southern coast of Chile. Here she lives among a traditional rural people, the Chilote, who speak an older form of Spanish and have remained largely isolated from the materialism, crime, and fast-paced contemporary life which is our own. The book alternates between the narrative in the US and that on Chiloe, the island, so the two strands of the story unfold for the reader at more or less the same time.This new book is very different from Isabel's previous historical novels: a contemporary setting; an American (of Latino descent) teenage drug addict as the protagonist and narrating voice; a realistic style of writing rather than a magical realistic one (Chiloe exists, and one can visit it). Maya's voice is modeled on that of Isabel's teenage granddaughter, a native of the Bay area (San Francisco, Berkeley).