Книги, похожие на «Jack Higgins, A Season in Hell»

It’s Christmas before the Great War and two lonely schoolboys have been left in the care of an elderly teacher. There is little to do but listen to his eerie tales about the nearby Cathedral. The boys concoct a plan to discover if the stories are true. But curiosity can prove fatal.One stormy night, a man’s car breaks down. The only light comes from a remote cottage by the sea. The mysterious woman who lives there begs him to leave, yet the next day he feels compelled to return. But, the woman is nowhere to be seen. And neither is the cottage.Clare and Gerald live in the Forest of Dean with their cat, Cannop. Gerald’s young nephew, back from service in Afghanistan, comes to stay, with a scratch that won’t heal. Jack and Cannop don't like each other. Clare and Jack like each other too much. The scratch begins to fester.

"It was the best of times, it was the worst of times," writes Charles Dickens in the opening of this dark and meaningful classic novel. It is the year 1775 and Jarvis Lorry is tasked with a secret mission for his employer. 17-year-old Lucie Manette joins him on his travels from London to Paris and is shocked to learn that her father is alive and has been released from eighteen years in a Paris prison. Set in the two metropolises just prior (and during) the French Revolution, Dickens paints a distinct picture of the social and political events of the time. `A Tale of Two Cities‘ is masterfully written, includes Dickens' perhaps greatest villain, and ties up everything in an especially satisfying ending.

1820s Britain: after the wars with France, when unemployment was high and soldiers could be paid off, when the government was desperately afraid of social unrest, any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue…The man in the dark cell in Newgate Prison was due to hang in a week. He had been found guilty of murdering the aristocrat whose portrait he was painting. He claimed to be innocent – but then the hangman had never hung a guilty man, he said. But even in 1820, the Home Secretary could occasionally use his powers to grant mercy if his investigator found cause and Rider Sandman, once of the First Foot Guards, is given the job.Rider Sandman, a hero of Waterloo, has family debts to repay but when his first steps in the investigations produce a sizeable bribe to look the other way, this only arouses his smouldering anger over the condition of England, a country which he and others in Wellington's army had fought to preserve. Stepping between gentlemen's clubs and taverns, talking to aristocrats, fashionable painters, their models, and their mistresses, dodging professional cut-throats and deceptive swordsmen, Sandman uncovers a conspiracy of silence, a group whose proudest boast was that they would do anything for any one of them.Sandman is a wonderful character, as yet undaunted by the sleazy streets, dank jails or the looming scaffold, and uncorrupted by politicians, sneering gentlemen or frightening bruisers, an investigator in the making and a brilliant, but very different, hero for all Bernard Cornwell fans.

This new edition, which is reproduced from a first printing of the book, is introduced by the author Martin Edwards, archivist of the Detection Club, and includes a never-before-published Preface by Agatha Christie, ‘Detective Writers in England’, in which she discusses her fellow writers in the Detection Club.Lord Comstock is a barbarous newspaper tycoon with enemies in high places. His murder in the study of his country houseposes a dilemma for the Home Secretary. In the hours before his death, Lord Comstock’s visitors included the government Chief Whip, an Archbishop, and the Assistant Commissioner for Scotland Yard. Suspicion falls upon them all and threatens the impartiality of any police investigation. Abandoning protocol, the Home Secretary invites four famous detectives to solve the case: Mrs Adela Bradley, Sir John Saumarez, Lord Peter Wimsey, and Mr Roger Sheringham. All are different, all are plausible, all are on their own – and none of them can ask a policeman…This classic whodunit adopted a completely new approach: Milward Kennedy proposed the title, John Rhode plotted the murder and provided the suspects, and four of their contemporaries were asked to lend their well-known detectives to the task of providing solutions to the crime. But there was to be another twist: the authors would swap detectives and use the characters in their sections of the book. Thus Gladys Mitchell and Helen Simpson swapped Mrs Bradley and Sir John Saumarez, and Dorothy Sayers and Anthony Berkeley swapped Lord Peter Wimsey and Roger Sheringham, enabling the authors to indulge in skilful and sly parodies of each other.The contributors to ASK A POLICEMAN are: John Rhode, Helen Simpson, Gladys Mitchell, Anthony Berkeley, Dorothy L. Sayers, Milward Kennedy with Agatha Christie and Martin Edwards.