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Лоренс Стерн
Now seen as one of the great English comic novels, Tristram Shandy caused a stir on publication in polite 18th-century English society. The novel broke with conventions of form and structure, foreshadowing Postmodern authors by 200 years, and scandalized with bawdy descriptions and rambling prose. Hugely influenced by Francis Bacon, Rabelais, and Jonathan Swift, clergyman Lawrence Sterne manages to both eloquently champion the literary and scientific views of the day, and to satirize those same idols in the next outrageous breath.The questionable ‘hero’ and narrator of the novel, the eponymous Tristram Shandy, attempts to tell the reader his life story, but as he digresses ever further on everything from sexual practices, the importance of a name, obstetrics, linguistics, weaponry, and philosophy, the reader quickly learns that the path won’t be a linear one, and gets wrapped up in the author’s exuberance and wit – as Tristram’s ill-fated conception and birth don’t even enter the story until Volume III. Encompassing a humorously memorable cast of misfits, including his eccentric father Walter, obsessive Uncle Toby, accident-prone mother Susannah, pastor Yorick, and a gaggle of other characters, Tristram Shandy’s restless energy and modern-seeming wit explain why Nietzsche, Karl Marx, Schopenhauer, Michael Winterbottom, and Michael Nyman count among its numerous fans.
Andrew Taylor
From the No.1 bestselling author of The American Boy and The Ashes of London comes a gothic novella – perfect for fans of The Loney by Andrew Michael Hurley.One stormy night in Suffolk, a man’s car breaks down following his sister’s funeral. The only source of light comes from a remote cottage by the sea. The mysterious woman who lives there begs him to leave, yet he can’t shake the sense that she somehow needs him. He attempts to return the next day but she is nowhere to be seen. And neither is the cottage.
Вирджиния Вулф
JACOB’S ROOM, Virginia Woolf’s third novel, marks her first foray into Modernist experimentation. The narrative traces Jacob’s childhood in Cornwall and his education at Cambridge, culminating in an evocative portrait of his adult life in London and abroad. Jacob is romantically torn between the artistic Florinda, the upper-middle-class Clara Durrant and the beautiful, but married, Sandra Wentworth Williams. This tissue of romance, though, is torn apart by the cataclysmic events of the First World War.Woolf poignantly depicts the life of Jacob through a sequence of alternating perspectives that combine letters, fragments of dialogue and the ephemeral impressions of those nearest to him. Jacob’s voice becomes the absent centre of one of Modernism’s first great novels.
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